안녕하세요. 올해 9월 26일 금요일에 서강대학교에서 개최되는 12th International Conference on Digital Libraries for Musicology (DLfM) 학술대회 로컬 오거나이저를 맡고 있는 서강대학교 아트&테크놀로지학과 조교수 정다샘입니다.
DLfM은 디지털 음악학 분야의 학자들이 교류하는 대표적인 국제학술대회로서 매년 수준 높은 연구들이 엄격한 동료심사를 통해 선정되고 ACM Library를 통해 출간되고 있습니다.
올해 학회의 발표 논문 목록들이 공개되고 등록을 받고 있어 홍보 메일을 드립니다. 음악 자료의 디지털 데이터베이스 구축, 악보 데이터를 활용한 정량 분석 등 다양한 연구가 소개될 예정입니다.
개최 정보
– 일시: 9월 26일 금요일 09:00 – 17:20
– 장소: 서강대학교 가브리엘관 109호
등록비
– 8월 25일 전까지 등록시 140유로
– 8월 25일 부터 200유로
(등록비는 프로시딩의 ACM 출간비에 활용됩니다)
– 등록 관련 안내는 https://dlfm.web.ox.ac.uk/2025-registration 에서 확인하실 수 있습니다.
발표 논문 목록 (https://dlfm.web.ox.ac.uk/2025-programme)
– 구두발표 (Oral Presentations)
Session 1: Digital collections and datasets
• The IRMA Dataset: A Structured Audio–MIDI Corpus for Iranian Classical Music (Sepideh Shafiei et al.)
• A Multimodal Dataset of Greek Folk Music (Anna Maria Christodoulou et al.)
• The Cancionero de Miranda Edition: Leveraging Open Source Technologies for Multi-Modal Music Publication (Fernando Herrera de Las Heras)
• Curating a Public Carnatic Music Dataset: Scalable Extraction of Ragam, Shruti, and Talam Metadata for Computational Musicology (Sanjay Natesan et al.)
• Sustainable Archiving of Music Databases through RDF and NLQ2SPARQL (Ichiro Fujinaga)
Session 2: Reflections on digital editions and musicological tools
• (Digital) Philology for/of Multiple Creative Processes: Considering Notation, Recordings, and Digital Editions (Joshua Neumann)
• Drafting the Landscape of Computational Musicology Tools: A Survey-Based Approach (Jorge Junior Morgado Vega et al.)
• Annotation of digital music notation documents: surveying needs for a generalised implementation (Kevin Page et al.)
• MuNG Studio: Annotation Tool for Music Notation Graph (Jiří Mayer et al.)
• Collaborative workflows for encoding, validating, and publishing a multimodal digital edition (David M. Weigl et al.)
Session 3: Analysis and building digital collections
• Performance Configuration Analysis in Portuguese Traditional Music: A Computational Approach (Nawaraj Khatri et al.)
• Leveraging Large-language Models for Thematic Analysis of Children’s Folk Lyrics: A comparative study of Iberian Traditions (Jorge Forero Rodriguez et al.)
• The Polyphonic Audio to Roman Corpus (Thiago Poppe et al.)
• Accompaniment in America: A Minimal-Computing Digital Collection for Hybrid Musicological Publication (Chanda Vanderhart et al.)
• Knowing when to stop: insights from ecology for building catalogues, collections, and corpora (Jan Hajič Jr. et al.)
Session 4: Tools
• Smashcima: Full-Page Handwritten Music Document Synthesizer (Jiří Mayer et al.)
• From Pixels to Paleography: A Dual-Pathway Neural Network for Neume Script Classification (Kyrie Bouressa et al.)
• Modelling Musical Meaning: A Semantically Enriched Corpus from Nineteenth-Century Spanish Music Lexicons (Teresa Cascudo García-Villaraco et al.)
포스터발표 (Poster Presentations)
• Universal Musical Instrument Lexicon: A Crowdsourced Platform for Expanding Multilingual Vocabularies and Enhancing Global Access to Musical Instrument Metadata (Kun Fang et al.)
• The Intersection of Music and Cybernetics and Its Beginnings: Alvin Lucier’s Music for Solo Performer (1965) (Yerim Gim)
• Digitally Unpacking Musical Treasures from Archduke Rudolph’s Musikalien Register Nr. 9 at the Gesellschaft der Musikfreunde, Wien (Stephen Husarik)
• From Digital Editions to Interpretive Insights: Reimagining Čiurlionis’ Piano Legacy (Jūratė Janutėnaitė-Bogdanienė et al.)
• Toward the Archiving of Performance Data in Music therapy and Early Childhood Education (Risa Kobayashi et al.)
• Reviving Lost Voices: Digital Archiving of Indigenous Folk Song Field Recordings from 1960s Taiwan (Liang Lee)
• How graphic design enables new capabilities in MuRET (Marina Maciá et al.)
• Works in RISM (Laurent Pugin et al.)
• Distorted Realities: Classifying Extreme Vocals Between Harmony and Noise — A Machine–Human Evaluation of Vocal Confusion Patterns (Xuhong Qiu et al.)
• Structuring RDF-Based Metadata to Enhance Access to Digitized Gagaku Scores (Shintaro Seki)
• Music data representations, including manuscripts/scores and audio Applied MIR techniques for digital music content or analysis (Areum Yang et al.)
• Vmus.net: A Web-based Platform Transforming Music Performance Research in China and Beyond (Jian Yang et al.)
• Modelling Flute Difficulty through a Corpus of Annotated Scores (Rui Yang et al.)
학술대회에 관련된 문의사항은 dasaemj@sogang.ac.kr 로 주시면 감사하겠습니다.
